| 《淮南子》文艺观的儒道混融分析 |
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| 引用本文： | 薛秀艳.《淮南子》文艺观的儒道混融分析[J].渝西学院学报(社会科学版),2007,26(1):81-84. |
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| 作者姓名： | 薛秀艳 |
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| 作者单位： | 西南大学文学院 重庆北碚400715 |
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| 摘 要： | 《淮南子》文艺思想的出现,在我国古代文艺思想发展史上具有十分重大的意义。它着重强调了道家的文艺思想,并融合了儒道的文艺观,产生了一些新的发展,在文质、形神、言意三方面都有突出表现。
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| 关 键 词： | 淮南子 文艺观 道儒 |
| 文章编号： | 1673-8004(2007)01-0081-04 |
| 修稿时间： | 2006年9月23日 |
Merging Taoism with Confucianism in Writings of Prince of Huainan |
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| Authors: | XUE Xiu-yan |
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| Abstract: | The emergence of the literary concept of Prince Huainan was of great importance in the development of literary and artistic ideas in ancient China.It emphasizes the literary ideas of Taoism and merges those of Confucianism,which brings new life to literary and artistic concept in the literary forms,spirits,languages and meanings. |
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| Keywords: | Writings of Prince Huainanzi literary concept Taoism and Confucianism |
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