| 简析贝多芬第十四号升c小调幻想奏鸣曲的风格 |
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| 引用本文： | 吕俊.简析贝多芬第十四号升c小调幻想奏鸣曲的风格[J].东北农业大学学报(社会科学版),2009,7(2):111-112. |
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| 作者姓名： | 吕俊 |
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| 作者单位： | 哈尔滨师范大学,黑龙江,哈尔滨,150080 |
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| 摘 要： | 贝多芬的第十四钢琴奏鸣曲（月光）升C小调是贝多芬奏鸣曲中最优秀的作品之一。它打破了古典奏鸣曲的传统模式，以一种崭新的面孔展示于世人面前。激动、思索带有幻想的第一乐章，充满痛苦与忧愁；轻盈、明快的第二乐章冲淡了第一乐章的情绪，一气呵成地把第三乐章中暴风雨般的火热激情推向巅峰。我们应该正确理解此作品的情绪变化，使演奏风格符合作者的原意。
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| 关 键 词： | 贝多芬 情感 风格 |
On the Style of Beethoven's Piano Sonata |
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| Lv Jun.On the Style of Beethoven''''s Piano Sonata[J].Journal of Northeast Agricultural University:Social Science Edition,2009,7(2):111-112. |
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| Authors: | Lv Jun |
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| Institution: | Harbin Normal University;Harbin Heilongjiang 150080 |
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| Abstract: | Beethoven's 14th Piano Sonata(Moonlight) or c minor op.27No.2,are Beethoven's Sonata in one of the most outstanding works.It has broken the traditional model of the classical sonata,with a new face on display in the world.Exciting to think of the first movement with a fantasy,filled with pain and sorrow, light and crisp to dilute the second movement of the first movement of the emotions,at one go in the third movement of a storm like fiery passion to the peak.We should correctly understand the sentiments of... |
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| Keywords: | Beethoven emotion style |
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