论梅罗-庞蒂的"结构辩证法"

本文力图揭示梅罗-庞蒂是怎样把生活体验与表达之间的辩证法建立在对行为主义和格式塔理论的创造性把握的基础之上的。即行为的“格式塔”不仅是处于刺激—本能反应的关系之中,而且更是处于一种被知觉—加工的关系之中。这也就是说,它拥有一种在创造性的加工活动中把握被知觉的意义的能力。当然,这种创造不能从绝对的意义上去理解,因为它的目的是激发起其他一些创造,并同时被整合进历史的“格式塔”之中。

On Merleau-Ponty's Structural Dialectics

This paper tries to explain how Merleau-Ponty proposes the dialectics between the living experience and the expression by his criticism of behaviorism and Gestalt theory. He insists that the Gestalt of behavior is not only situated in the relationship between stimulus and instinctive reaction, but also in the relationship between the perceived and the creative treatment. In other words, the Gestalt has a capacity of grasping the perceived meaning through the creative treatment. Nevertheless, this creation cannot be understood from the absolute implication, because it aims at arousing other creative treatments and merging into the Gestalt of history.