| 论萨都剌词 |
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| 引用本文： | 张维民.论萨都剌词[J].中央民族大学学报(哲学社会科学版),2000(4). |
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| 作者姓名： | 张维民 |
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| 作者单位： | 西北第二民族学院中文系!宁夏银川750021 |
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| 摘 要： | 萨都剌是在元代多元文化互相渗透影响的文化背景下涌现出的一位卓有成就的回族作家。其词上承苏轼、辛弃疾优良传统 ,形成雄奇豪迈、刚健质朴的词风 ;其怀古词所表现出的忧患意识和兴废之感构成词作的思想精髓 ;隶事用典、融化诗句以及锤炼字句是其鲜明的艺术特色。研究萨都剌词 ,对于把握宋以后词的发展变化 ,全面客观地评价萨都剌的创作 ,进一步认识汉文化对他族文化的亲和力与融合力都具有重要意义。
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| 关 键 词： | 萨都剌 词风 思想精髓 艺术特色 |
On Sadula's Ci Poems |
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| ZHANG Wei-min.On Sadula's Ci Poems[J].Journal of The Central University for Nationalities(Humane and Social Sciences Edition),2000(4). |
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| Authors: | ZHANG Wei-min |
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| Abstract: | Sadula was an ethnic Hui writer with remarkable achievemints in the Yuan dynasty,when different cultures produce great impact on each other and infiltrated each other.His Ci poems inherited the fine traditions of Su Shi and Xin Qiji,forming his bold and heroic poetry style.His worry about the fate of his country was the ideological quintessence of his poems,and that every word in his poems was well polished was his distinguished artistic feature. |
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| Keywords: | Sadula poetry style ideological quintessence artistic feature |
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