| 潮剧舞台表演的美学特征 |
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| 引用本文： | 林淳钧. 潮剧舞台表演的美学特征[J]. 汕头大学学报(人文社会科学版), 1995, 0(1) |
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| 作者姓名： | 林淳钧 |
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| 摘 要： | 本文以丰富的潮剧舞台表演实例,探讨了潮剧舞台表演重视与观众交流,“和不承认存在第四道墙”的“梅氏体系”的美学特征,以及舞台表演艺术的程式化与技巧性的美学原则,力求从美学角度来透视潮剧舞台表演的特质。
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| 关 键 词： | 潮剧 “梅氏体系” 美学特征 |
Esthetic Features of Chaozhou Opera Stagecraft |
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| Lin Chunjun. Esthetic Features of Chaozhou Opera Stagecraft[J]. Journal of Shantou University(Humanities Edition), 1995, 0(1) |
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| Authors: | Lin Chunjun |
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| Affiliation: | Lin Chunjun |
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| Abstract: | This paper views the characteristic features of Chaozhou operastagecraft from esthetic angle by citing ample instances of theatrical perfor mance to investigate into the esthetic feature of its laying emphasis on ex change with the audience in defiance of "tile fourth wall" which in Mr MeiLanfang's theory is deemed to be nonexistant, and into the esthetic principle ofstylization and artistry of its stagecraft. |
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| Keywords: | Chaozhou opera Mr Mei Lanfang's theory esthetic feature |
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