| 《文心雕龙》与魏晋南北朝诗学辨体理论的发展 |
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| 引用本文： | 邓新跃.《文心雕龙》与魏晋南北朝诗学辨体理论的发展[J].西安电子科技大学学报(社会科学版),2009,9(2):104-108. |
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| 作者姓名： | 邓新跃 |
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| 作者单位： | 湖南科技大学,人文学院,湖南,湘潭,41120;北京师范大学,中国语言文学博士后流动站,北京,100875 |
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| 基金项目： | 中国博士后研究基金，湖南省中国古代文学与社会文化重点研究基地资助项目 |
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| 摘 要： | 魏晋南北朝是古代诗学辨体理论发展的第一个高峰。诗歌独特的文体体制规范逐步形成，确立了诗歌的审美特征。尤其是《文心雕龙》，无论是在语体、文体还是作家风格、时代风格等诸多方面都取得了重大成就，对后世诗学理论发展有巨大影响。
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| 关 键 词： | 魏晋南北朝 文体学 诗学辨体理论 |
The Literary Mind and the Carving Dragon and Development of Literary Style and Poetic Criticism Theory in Wei, Jin, Southern and Northern Dynasties |
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| DENG XINYUE.The Literary Mind and the Carving Dragon and Development of Literary Style and Poetic Criticism Theory in Wei, Jin, Southern and Northern Dynasties[J].Journal of Xidian University (Social Sciences Edition),2009,9(2):104-108. |
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| Authors: | DENG XINYUE |
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| Institution: | DENG XINYUE (College of Humanities, Hunan University of Science and Technology, Hunan Xiangtan, 411201, China; Postdoctoral Station in Chinese Language and Literature, Beijing Normal University, Beijing, 100875, China) |
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| Abstract: | The first peak of the Poetics Criticism Theory appears in the period from the Wei Dynasty to Northern Dynasty, when the unique literary style of poem formed and the poetry esthetic characteristic are established. Especially the work the literary mind and the carving dragon exerts enormous influence on the later poetics theory development in the language, literary style, writing style etc. |
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| Keywords: | The Literary Mind and the Carving Dragon Literary Style Poetics Criticism Theory |
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