| 《诗经》中比兴手法的逻辑支点 |
| |
| 引用本文： | 于春海,赵玉霞. 《诗经》中比兴手法的逻辑支点[J]. 延边大学东疆学刊, 2003, 20(2): 27-32 |
| |
| 作者姓名： | 于春海 赵玉霞 |
| |
| 作者单位： | 延边大学师范学院 吉林延吉133002(于春海),延边大学师范学院 吉林延吉133002(赵玉霞) |
| |
| 摘 要： | “比兴”是《诗经》的表现手法。“比兴”手法赖以成立的逻辑支点是取象思维方式 ,其特征是取象比附 ,核心是以具体事物为载体 ,靠人们想象去推知抽象事理 ,它的本质是一种直接推论的逻辑方法。取象思维方式源于《易经》 ,在《诗经》中得到了发展 ,其表现形式便是比兴
|
| 关 键 词： | 《诗经》 比兴 逻辑支点 |
| 文章编号： | 1002-2007(2003)02-0027-06 |
| 修稿时间： | 2002-11-28 |
Analog and Association Techniques in "The Book of Songs":Their Logical Fulcrum |
| |
| Yu Chunhai and Zhao Yuxia. Analog and Association Techniques in "The Book of Songs":Their Logical Fulcrum[J]. Dongjiang Journal, 2003, 20(2): 27-32 |
| |
| Authors: | Yu Chunhai and Zhao Yuxia |
| |
| Abstract: | Analog and association are two techniques in "The Book of Songs" and their logical fulcrum is the thinking mode by symbols, whose distinctive feature is drawing an forced analogy by symbols and whose key point is centred on taking concrete objects as a carrier and deducing an abstract conclusion by imagination. This thinking mode in essence is a logical method of direct deduction and it originated from "The Book of Changes" and developed in "The Book of Songs" in which analog and association are its manifestation modes. |
| |
| Keywords: | The Book of Songs" , analog and association, logical fulcrum, |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
