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关于肖邦《F大调第二叙事曲》的演奏分析及探讨
引用本文:朱文婕.关于肖邦《F大调第二叙事曲》的演奏分析及探讨[J].东北农业大学学报(社会科学版),2009,7(3):73-76.
作者姓名:朱文婕
作者单位:东北农业大学,黑龙江,哈尔滨,150030
摘    要:人们常以“钢琴诗人”来赞誉肖邦的才华。肖邦创作的作品第38号《F大调第二叙事曲》是他所创作四首叙事曲中最短的一首叙事曲,也是它描写性和标题性最鲜明的一首。曲中的两个主题极端对比,给人留下了很深刻的印象。肖邦的演奏艺术随着他的离开而不复存在。所以我们在谈这位伟大的波兰钢琴家的演奏的时候,不得不主要依靠流传至今的当时听他演奏过人的评论。这些评论涉及肖邦演奏技巧的各个方面,使我们能够对他的演奏有一个相当清楚的概念。

关 键 词:体裁  主题  调性  力度  音色

On Performance of Chopin's F Major Second Ballade
Zhu Wenjie.On Performance of Chopin''s F Major Second Ballade[J].Journal of Northeast Agricultural University:Social Science Edition,2009,7(3):73-76.
Authors:Zhu Wenjie
Institution:Northeast Agricultural University;Harbin Heilongjiang 150030
Abstract:Chopin was regarded as "the piano poet". Chopin creates classifies 38 "F Major Second Ballade"-a shortest ballade in four ballades. In the tune, two subjects form a sharp contrast and impress deeply. Chopin' s performance art leaves along with him. Thus, today when we are discussing this great Polish pianist, we mainly depend on some comments of those who had appreciated his performance. According to these comments on chopin' s performance techniques, we will have a clear concept on his performance.
Keywords:style  subject  adjusting dynamics  timbre  
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