| 论杜甫山水诗 |
| |
| 引用本文： | 颜家安.论杜甫山水诗[J].海南大学学报(人文社会科学版),1997(1). |
| |
| 作者姓名： | 颜家安 |
| |
| 作者单位： | 海南特区科技报社!海口,570203 |
| |
| 摘 要： | 本文以时地为序,从纵向方面勾勒了杜甫山水诗6个阶段的不同的内容风格特点：1.泰山豪情;2.慈恩寺塔“百忧”;3.凤凰台自誓;4.成都楼伤感;5.白帝城“血痕”;6．洞庭湖畔眼泪。杜甫山水诗有着巨大的成就,但不受重视,其原因是受“诗圣”、“诗史”等传统研究思想束缚。
|
| 关 键 词： | 杜甫 山水诗 审美对象 杜诗研究 |
On Du Fu's landscape Poems |
| |
| Yan Jiaan.On Du Fu's landscape Poems[J].Humanities & Social Sciences Journal of Hainan University,1997(1). |
| |
| Authors: | Yan Jiaan |
| |
| Abstract: | This paper, in the sequence of time and location, gives a brief account of the various styles and characteristics of Du Fu' s landscape pomes in six stages.1. Lofty sentiments in Mount Tai; 2. Anxieties in Ci' en Temple; 3. Oath on the Phoenix Platform; 4. Sad feeling in Cheng Du; 5. Agony in Baidi City; 6. Sorrows and tears nearby Dongting Lake. Du Fu's landscape poems reached the hing achievement, however,they are never attached to great importance to. The reason is that Du Pu's pomes that can be taken as amirror of the times he lived in and his honour of "Poet - sage" trammels traditional research. |
| |
| Keywords: | Du Fu landscape poems aestheic object study on Du Fu's poems |
| 本文献已被 CNKI 等数据库收录！ |
|
