徐渭“本色论”曲学内涵新探

目前学界一般认为明代曲家的"本色论"只涉及戏曲的语言问题,但徐渭的戏曲"本色论"在明代曲家中比较独特,内涵丰富,除关注戏曲的语言外,还广泛涉及了戏曲的审美特征、创作技法、角色塑造、声腔格律、曲家个性、艺术创新诸多曲学范畴的问题。徐渭戏曲"本色论"的提出,因其曲学内涵的丰富性,指导并启迪着当时及后世诸多曲家的戏曲创作与剧论表述,为晚明及清初古典戏剧学高峰的到来奠定了丰厚的理论基础。

A New Probe on the Dramatic Connotation of XU Wei’s Ben-se Theory

Although the Ben-se theory of Ming Dynasty is generally considered to involve drama language,XU Wei’s Ben-se theory is unique with rich connotations.Apart from drama language,XU’s theory has covered many drama problems,such as drama aesthetic standard,character creation,writing techniques,phonological rules and artistic personality,and so on.His theory,because of its rich connotations,has guided and inspired drama creation and theoretical expression from then on,and laid a theoretical basis for the arrival of classical drama peak in the Late Ming and Early Qing.