| 商代青铜器纹饰的象征意义与人兽变形 |
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| 引用本文： | 江伊莉,刘源.商代青铜器纹饰的象征意义与人兽变形[J].殷都学刊,2002(2):22-28. |
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| 作者姓名： | 江伊莉 刘源 |
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| 作者单位： | 1. 531 E.88thST.4B,New York n.y.10128
2. 中国社会科学院,历史研究所,北京,100732 |
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| 摘 要： | 商代青铜器纹饰具有一定的结构和层次 ,人兽变形、身体简化、蝉纹和吞噬姿态等特征说明其中蕴含着商王变形力量的象征。这种象征着变形力量的纹饰所表现的可能就是高祖夒。
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| 关 键 词： | 青铜器 商代 纹饰 |
| 文章编号： | 1001-0238(2002)02-0022-07 |
| 修稿时间： | 2002年3月1日 |
Standardized Representational Devices of The Mask of Bronzes And Human to Animal Metamorphosis in Shang |
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| Elizabeth Childs Johnson,translated by Liu Yuan.Standardized Representational Devices of The Mask of Bronzes And Human to Animal Metamorphosis in Shang[J].Yindu Journal,2002(2):22-28. |
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| Authors: | Elizabeth Childs Johnson translated by Liu Yuan |
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| Abstract: | There are following properties in Shang ritual imagery:Hieratic and hierarchical artistic properties of the animal image and mask,the property of interchangeability between semihuman and animal attributes,the property of interchangeability between abstract and "REAL" animal or abbreviated and whole animal images.The cicada body extension of the animal mask and the displayed body and "DEVOUPING" disposition of the animal image represent as symbolic devices signifying metamorphosis.The primordial ancestor KUI is an anthropomorphized metamorphic power symbol. |
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| Keywords: | ritual imagery Shang Bronze |
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