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论新历史主义历史文化诗学的作家主体观
引用本文:张进,高红霞.论新历史主义历史文化诗学的作家主体观[J].燕山大学学报(哲学社会科学版),2001,2(3):23-27.
作者姓名:张进  高红霞
作者单位:1. 中国人民大学,中文系,北京,100782
2. 兰州医学院英语教学部,甘肃,兰州,730000
摘    要:新历史主义的历史文化诗学消解了近代以来自由人文主义的主体性观念,重构了作家主体的新形象.它认为作家主体不是一个先于文学活动的、本原性的、既成的主体事实,而是通过文艺活动的文化赋予和自我塑型,是解构和建构的同时展开.作家在文学活动中是赋有各自历史性的阐释主体和商讨主体,而不是纯粹的反映者或创造者.作家对权力话语的颠覆和权力话语对这种颠覆的包容同时并存于作家的主体性中.

关 键 词:新历史主义  历史文化诗学  自我塑型  商讨主体  历史性  包容性
文章编号:1009-2692(2001)03-0023-05
修稿时间:2001年4月8日

The View of Subjective Being of the Writer in the Historical Poetics of CultureProfessed by the New Historicism
ZHANG Jin,GAO Hong-xia.The View of Subjective Being of the Writer in the Historical Poetics of CultureProfessed by the New Historicism[J].Journal of Yanshan University:Philosophy and Social Sciences Edition,2001,2(3):23-27.
Authors:ZHANG Jin  GAO Hong-xia
Abstract:While challenging and dispelling the view of writer's subjective being by the liberal humanities sincethe modern time, the historical poetics of culture professed by the New Historicism reconstructs a new imageof writer's subjective being. It is asserted that writer's subjective being is a kind of cultural endowment and self-formation through artistic activities, with deconstruction and reconstruction going on at the same time, ratherthan something which exists before the literary creation. In the process of literary writing, a writer becomesthe interpretive and investigative subject with respective historical sense, instead of being the pure reflector orcreator. The writer's subversion of the discourse of power and the tolerance of the discourse for this subversiongo side by side in the subjective being of the writer.
Keywords:New Historcism  the historical poetics of culture  self-formation  investigative subject  historicalsense  tolerance  
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