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《银幕艳史》--女明星作为中国早期电影文化的现代性体现
引用本文:张真.《银幕艳史》--女明星作为中国早期电影文化的现代性体现[J].上海大学学报(社会科学版),2006,13(1):61-70.
作者姓名:张真
作者单位:纽约大学,电影学系,美国,纽约,10012
摘    要:《银幕艳史》是一部具有自指性白话现代性质的纪录剧情片,也是记录了中国早期电影和观众结构及其转变的范例。从性别的角度检视身体和电影科技之间的关系,尤其是从女演员的银幕形象和影迷文化所体现出来的两者之间的关系,可以发现,中国早期电影是由媒体传导的、具有白话性或通俗性的一种现代体验,女明星的身体是中国20世纪早期现代性的体现。

关 键 词:<银幕艳史>  白话现代性  身体  视觉研究
文章编号:1007-6522(2006)01-0061-10
修稿时间:2005年11月6日

Adventure of An Amorous Film-Star--Female Stars as Embodiment of the Vernacular Experience in Chinese Early Film Culture
ZHANG Zhen.Adventure of An Amorous Film-Star--Female Stars as Embodiment of the Vernacular Experience in Chinese Early Film Culture[J].Journal of Shanghai University(Social Science Edition),2006,13(1):61-70.
Authors:ZHANG Zhen
Abstract:As a documentary feature film characteristic of selfexpose and vernacular-modernity,Adventure of An Amorous Film-Star is a typical example of recording the audience structure and transform of Chinese early films.An examination of the relationship between the body and film technology, especially the one between the film image of female stars and the culture of film fans,can draw an conclusion that Chinese early films acquire a modern experience of the vernacular or popularity from media while the body of film stars makes an embodiment of the Chinese vernacular-modernity in the early 20th century.
Keywords:Adventure of An Amorous Film-Star  vernacular-modernity  body  visual research  
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