清代御制耕织图的版本和刊刻探究

耕织图是清代御制文献中的一个农业主题,清代宫廷曾出现过大量帝王御制的以耕织图为主题的书画作品,清宫所藏甚多,记载于各类目录学著作当中.清代帝王的御制耕织图,有绘本、拓本、刻本等多种形式,它们之间在创作上存在传承、模拟和复制的关系.耕织图的创作最初由帝王命宫廷画师作画,再由帝王亲自题写诗文,装裱成为完整的书画作品后择其优者刊刻印行,刻立石碑,形成形态各异的耕织图文献,或深藏清宫、或赏赐王公、或立碑长存、或流布民间、或广传海外,影响深远.

Exploration on Edition and Compiling of Imperial Farming and Weaving Pictures in Qing Dynasty

Farming and weaving was one of agricultural subject in the imperial literature of the Qing Dynasty which appeared in the Qing royal court as a large number of art works. There are many types of works with farming and weaving as the theme made by emporers in the Qing period such as pictures, rubbings and engravings. These art works have a connection between common inheritance and replication. The farming and weaving works were first made by royal court painters, then the emporers titled poem on it. After that, the emporer will choose and decide which one of these can be published out and engraved on the rock. All these sorts of works were hidden in royal court, or were rewarded to royals and princes; even some of these works were spreaded to overseas which all made far influence till nowadays.