英伽登的文学作品存在论与现象学之关系新探

英伽登建构文学理论的最初动机源于与胡塞尔关于观念论——实在论的论争。他试图用对文学作品存在论的分析为解决这一问题提供一个可能的答案。其结论是,文学作品是一种非自主存在的纯粹的意向性对象,是一个由语音构造、意义单元、再现的对象、图式化观相和类时间结构这五个层次组成的异质的多层次构造。

A NEW KEY TO RELATIONS BETWEEN INGARDEN''''S ONTOLOGY OF THE LITERARY WORK AND PHENOMENOLOGY

The ultimate motives which led Ingarden to construct Literary theory are closely connected to the conflict between so-called the problem of idealism and realism. He attempts to advance a possible solution to the problem by means of the analyses of Ontology of the Literary Work. In his opinions, The literary work is an existentially heteronomous, purely intentional object, a heterogeneous stratified formation that is composed of five stratum ,linguistic sound formations, meaning units, represented objects, schematized aspects and quasi-temporal structure.