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含蓄美学观的历史发展
引用本文:张福勋.含蓄美学观的历史发展[J].阴山学刊,2009,22(5):22-24.
作者姓名:张福勋
作者单位:包头师范学院文学院,内蒙古包头014030
摘    要:含蓄是诗艺最本质的特征和最吸引人的地方。刘勰对隐秀的研究,打开了人们对诗艺作更深、更广思索的闸门。孔子所说"举一反三"和老子所倡"大音希声",是隐秀说的滥觞。而王国维的"境界"说,则是将含蓄说与西方文论进行融通研究所提出来的更具有时代意义的崭新成果。隐秀说涵盖了原创者的一次创造和鉴赏者的二次创造,是两者融合的产物。

关 键 词:《文心雕龙》  孔子  老子  王国维

On the Historical Development of Implicit Aesthetics
Institution:ZHANG Fu - xun ( Faculty of Literature, Baotou Teachers' College ; Baotou 014030)
Abstract:The implicity is the most essential and attractive feature of poetry. Liu Xie~ studies on "Yin Xiu" led people research into poetry comprehensively and deeply. Confucius'view of "Drawing inferences about other cases from one instance" and the idea of "Genuine music is hardly audible" promoted by Lao Tzu were the origin of "Yin Xiu" Theory. Wang Guowei's "Realm" Theory was put forward by combining the implicity theory and western literary theory, and had the new epoch significance. "Yin Xiu" Theory was the integration of the first creation of the originators with the second creation of the appreciators.
Keywords:"Carving a Dragon at the Core of Literature"  Confucius  Lao Tzu  Wang Guowei
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