罗伯特·克里利投射诗理论与实践述评

罗伯特·克里利一直被认为是仅次于查尔斯·奥尔森的投射诗派中坚人物。他提出投射诗的核心原理：“形式向来不过是内容的延伸。”研读克里利的散文和访谈录可以发现，从20世纪50年代到70年代，他竭力拥护与奥尔森共同推出的投射诗理论，他此间有关客观性、语言、形式以及诗歌尺度的言论几乎都可以看作是投射诗理论的诠释。然而在创作实践中，即使是在他极力拥护投射诗理论时候，他的有些诗歌也表现出对投射诗原理的背离。这可以从他这段时期创作的几部组诗中得到证明。无论克里利是否遵循了投射诗理论，可以肯定的是，他一直尝试把自己的即时感知投射到诗歌中，从而为自己在美国诗歌史上奠定了不可替代的位置。

Comments on Robert Creeley' s theory and practice of projective verse

Robert Creeley has always been regarded as the second important representative of the Projective Poets,inferior only to the leader Charles Olson.Creeley has contributed the core principle of projective verse: form is never more than extension of content. By reading Creeley' s essays and interviews,we can find that from the 1950s to the 70s,Creeley has tried various means to support the theory of projective verse.His remarks during this period on objectivity,language,form and poetic measure can be seen as in...