| 艺术语言情感个性和超越性解读 |
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| 引用本文： | 骆小所.艺术语言情感个性和超越性解读[J].学术探索,2009(2):130-133. |
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| 作者姓名： | 骆小所 |
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| 作者单位： | 云南师范大学,语言研究所,云南,昆明,650092 |
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| 摘 要： | 艺术语言是情感个性化的语言，在艺术语言中，情感是美感的主要特征和最有表现力的标志。在艺术语言中，真情实感是发话主体人格境界的体现。人格境界是发话主体的精神实体，是发话主体心理情感生长起来的精神之树。艺术语言印记着发话主体情感个性运思和发话主体随情造辞的过程。为了表达情感，艺术语言往往通过超越客观之象达到心象表现来实现，以新颖变异的言语形式来表达，由此体现发话主体的个性风格。
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| 关 键 词： | 艺术语言 情感 审美 超越语法 超越客观之象 |
Interpretations on the Individualization and Transcendence of Emotion in Art Language |
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| LUO Xiao-suo.Interpretations on the Individualization and Transcendence of Emotion in Art Language[J].Academic Research,2009(2):130-133. |
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| Authors: | LUO Xiao-suo |
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| Institution: | LUO Xiao - suo (Institute of language Studies, Yunnan Normal University, Kunming, 650092, Yunnan, China) |
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| Abstract: | Art language is the language of individualized emotion. In art language, emotion is the chief feature and the most powerful expression of aesthetic feeling and true feeling is the embodiment of the speaker＇ s personality. Personality reflects the speaker＇ s spirit and plays a part of spiritual sustentation developed from the speaker＇ s psychological emotional experience. Art language records the speaker＇ s emotional activities and the process of his creation of words elicited from sentiments. In art language, the expression of emotion is achieved via representation of mental images that have transcended the objective images, and via the variants of linguistic forms that have transcended the traditional grammatical rules, embodying the individualized style of the speaker. |
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| Keywords: | art language emotion aesthetics transcendence over the grammar transcendence over the objective |
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