| 论明清曲论的规范曲学 |
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| 引用本文： | 汪超.论明清曲论的规范曲学[J].重庆文理学院学报,2011,30(4):49-53. |
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| 作者姓名： | 汪超 |
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| 作者单位： | 安庆师范学院 文学院, 安徽 安庆 246133 |
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| 摘 要： | 明清之际“规范曲学”命题，主要针对文人传奇的发展而展开，侧重于传奇文体体性的规范，并以此规范来指导当时传奇的创作，促进文人传奇发展的繁荣。同时，“规范曲学”自身亦存在相对性的特征。
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| 关 键 词： | 传奇 曲论 规范曲学 法 |
The Standardization of Opera in Ming and Qing Dynasty |
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| WANG Chao.The Standardization of Opera in Ming and Qing Dynasty[J].Journal of Chongqing University of Arts and Sciences,2011,30(4):49-53. |
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| Authors: | WANG Chao |
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| Institution: | Department of Chinese Classic and Literature Institute, Mianyang Normal College, Mianyang, Sichuan 621000, China |
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| Abstract: | The standardization of opera writing in Ming and Qing dynasty, mainly with the development of legends, focus on the legendary style of norms, and guide thecreation with the standards. At the same time, the standard was guided the creation about legendary in order to promote the prosperity and development of legendary. |
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| Keywords: | legendary the standardization of opera rules Aggregate |
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