“文气论”话语范式转换与美学重释

在当代文学批评语境下，如何较好地契合中国古代文论与西方文论的复杂关系。文章从当代理论重构的意识切入，分析“文气论”的现代话语范式，主要涉及“文气论”的哲学根源，指出“文气”之清浊决定了文章的审美价值，物之美恶；在“文气论”中，蕴含着作者与文本、宏观世界与微观世界、个人气质与后天学养、内容与形式等诸多辩证统一的关系，这无不彰显了中国文化传统的突出特点———浑融性。文章关注从哲学和科学上的气论哲学到文学批评话语上的“文气论”这一生命美学范畴对现代话语范式所起的重要作用，同时对比西方传统美学中崇高与美的审美范畴对立，阐释“文气论”的普适性价值及其合理性，使其现代阐释及美学重构成为可能，并为建立跨文化的美学理论提供一定的借鉴意义。

The Shift of the Discourse Paradigm and Aesthetic Reinterpretation of Wenqi Theory

This paper tries to address “Wenqi” theory, as an extremely important field in Chinese traditional literary theories , how to better fit the complex relation with those of the West in the context of contemporary literary criticism .From the perspective of the consciousness reconstruction of contemporary theory, it analyzes the modern discourse paradigm of Wenqi theory, mainly engaging in the root of philosophy, and points out that styles of “wenqi” decide the aesthetic values and beauty or evil of writings.In “Wenqi Theory”, many such dialectical unified relationships are contained as author and text, macro world and micro world, personal temper-ament and acquired learning, content and form, which highlight the integration feature of China traditional culture.The paper investi-gates the important role in modern discourse paradigm of the life aesthetics from philosophical and scientific views to literature critical discourse, and combines Western traditional aesthetics in aesthetic category opposition of sublime and beauty to illustrate the universal significance for literature and rationality of “Wenqi Theory”, shedding some light on insights for cross-cultural aesthetics.