空间设置：萧红对鲁迅的继承与创新--以《阿Q正传》《呼兰河传》为视角

《阿Q正传》《呼兰河传》是鲁迅、萧红以自己家乡承载启蒙主义创作主旨的代表性作品，一个为人作传，一个为城作传，两者都打破了传统的线性时间桎梏，创建了格式特别的时空形式，成就了它们“历史存在的位置”。在《阿Q正传》《呼兰河传》的空间设置比较中可以看出，萧红对鲁迅传统的继承，是一种真正意义上的继承，她不仅以鲁迅的艺术表现方式继承了“改造民族灵魂”的“未完成的事业”，还从精神上领悟了鲁迅“创造小说新形式”的真谛，在继承的基础上融入自己的艺术个性、对空间观念的独特理解、女性丰富细腻的情感和东北地域文化特质，创造了全新的以空间为主角、以空间展开结构全篇的小说形式，完成对鲁迅传统的创新与发展，形成小说创作中的新传统。

XIAO Hong’ s inheritance and innovation of LU Xun,from the Space Setting view---An example with The True Story of Ah Q and Hulan River

Both LU Xun’ s The True Story of Ah Q and XIAO Hong’ s Hulan River are representative works to express the au-thor’ s enlightening purpose.Although one story for a person, the other for a city, they both broke the restriction of liner time, and created a special four-dimensional form, which achieved their historical position.From the two masterpieces, we could see XIAO Hong’ s inheritance is a true one.She not only used LU Xun’ s artistic expression to call for reconstruction of People’ s Soul as an unfinished job, but also mastered LU Xun’ s spirit of Creating New Form of Novel.She brought into work her own artistic character, her unique understanding of spatial concept, her sensational feeling and regional trait of Northeast.With a brand new form, she gave priority to space, and used it to unfold the whole structure.That is an innovation and development of LU Xun’ s tradition, and formed a new one for novel composition.