| 论唐寅诗画的“俗”化 |
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| 引用本文： | 程日同.论唐寅诗画的“俗”化[J].淮海工学院学报(社会科学版),2012,10(12):60-62. |
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| 作者姓名： | 程日同 |
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| 作者单位： | 菏泽学院中文系,山东菏泽,274015 |
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| 摘 要： | 明代中期,诗画融通更为深入和明显。文艺趣味的＂俗＂化,不仅在小说等通俗文学中表现明显,且在诗画中也有反映。作为此期吴中诗画创作的重要代表唐寅等人的诗画,从题材到形式都呈现出＂俗＂的特征。究其具体原因,主要有作者的平民化、市民化和诗画流通环节的商品化等几个方面。
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| 关 键 词： | 唐寅 诗画 “俗” 原因 |
On the Vulgarization of TANG Yin's Poetry and Painting |
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| CHENG Ri-tong.On the Vulgarization of TANG Yin's Poetry and Painting[J].Journal of Huaihai Institute of Technology,2012,10(12):60-62. |
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| Authors: | CHENG Ri-tong |
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| Institution: | CHENG Ri-tong(Dpartment of Chinese language and literature,Heze University,Heze 274015,China) |
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| Abstract: | Since the mid-Ming period,poetry and painting have been merging into one.The vulgarization of literature and art is reflected in both works of popular literature and works of poetry and painting.As the major representative of Jiangsu and Zhejiang Provinces,TANG Yin is famous for the vulgarization of his works.The paper aims to figure out the reasons for the vulgarization of TANG Yin＇s works,including his commonalty,his bourgeois,and the commercialization of poems and paintings. |
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| Keywords: | Tang Yin poetry and painting vulgarization reason |
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