| 五四以来女性叙述声音的嬗变 |
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| 引用本文： | 成红舞. 五四以来女性叙述声音的嬗变[J]. 西华大学学报(哲学社会科学版), 2009, 28(1) |
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| 作者姓名： | 成红舞 |
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| 作者单位： | 北京大学比较文学所,北京,100871 |
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| 摘 要： | 美国后现代叙事理论家苏珊·S.兰瑟在对西方女性作家的小说文本分析基础上提出了三种叙述声音:作者型叙述声音、私人型叙述声音和集体型叙述声音.通过考察中国五四时代以来的女性作家小说文本,发现这三种叙述声音的特征对它们同样适用.在西方理论和中国文本相互观照的基础上,发现中国女性的叙述声音经过了一个由不自觉的隐匿(他者赋权)、自觉的显现(自我赋权)到与人物的声音交融(相互赋权)的过程,体现了中国女性作家书写的逐步成熟.
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| 关 键 词： | 叙述声音 权威 女性作家 |
The Transmutation of Female Narrative Voice from May Fourth Era |
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| CHENG Hong-wu. The Transmutation of Female Narrative Voice from May Fourth Era[J]. Journal of Xihua University:Philosophy & Social Sciences, 2009, 28(1) |
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| Authors: | CHENG Hong-wu |
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| Affiliation: | CHENG Hong-wu(Comparative Literature Institute,Peking University,Beijing,100871,China) |
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| Abstract: | Susan Sniader Lancer,the American post-narrative theorist,analyses the western female writers' novels and then poses three narrative voices: authorial voice,personal voice and communal voice.The characteristics of these three narrative voices are similar to those of Chinese female writers since the May Fourth Era.The female narrative voices of China have been changed for three formals: unconsciously hidden(being authorized by the other),consciously revealed(being authorized by itself) and to mingle with the... |
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| Keywords: | narrative voices authority female writers |
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