中西文学邪恶妻子形象的文化比较分析

“恶妇”和“妖妇”分别是中西文学中各具文化特色的邪恶妻子形象。这种创作认知的产生，既源于中西父权社会中普遍存在的“红颜祸水论”的共性认识，又源于各自不同的伦理文化价值根基。值得注意的是，通过邪恶妻子形象的创作样态可以发现，在较长的历史时期中，儒家伦理与宗教伦理在对待女性的统治上出现跨越时空的父权制话语共谋。在现代社会，这种权利话语共谋分别遭到中西不同文化视野下女权主义的批判。由此，邪恶妻子形象获得新的创作和解读，展现出中西女性共同的主体意识觉醒潮流。

Cultural comparative analysis on evil wife images between Chinese and western literature

＂Bad wife＂ and ＂demon wife＂ are respective images of evil wife with cultural characteristics in Chinese and western literature.The appearance of this composing cognition comes not only from the common cognition that ＂almost all super beautiful women are evil＂ in Chinese and western patriarchy society,but also from the different value basis of respective ethics culture.It should be noticed that through the creating pattern of evil wife,crossing space-time patriarchy expression similarity appears towards the control of females by Confucian ethics and the west religious ethics in a long history.In modern society,this expression similarity of rights encountered criticisms both from Chinese and the western feminists at their own cultural visions.Hence,the evil wife images acquired new creation and interpretation,which shows the awakening tide of subject consciousness of both Chinese and western females.