元代中后期诗坛的私人化创作心态与逸趣的追求

在风格多样化的元代中后期诗坛上有两种风格追求是占据主导性的：一是雅正化,二是险怪化。但这两种貌似迥异的诗风追求背后却隐藏着共同的心理动因——私人化创作心态,且表现出同样的审美情趣——＂逸＂趣。所谓私人化创作心态,主要表现为两点：一是内容的狭隘,＂哦风月、弄花鸟＂,而较少关注社会人生;二是境界的狭隘,体现为诗歌大多缺乏力度,缺少感染力。这种私人化创作心态的形成,是与元代中后期特殊的文化背景紧密联系的。而两种迥异的风格追求流露出同样的审美情趣,则在一定程度上反映出元代中后期文人尤其是汉族文人政治边缘化的尴尬境地。

The Private Mentality and YI Fun of the Poetry Creation in the Mid-and Late Yuan Dynasty

Diverse in style of the poetry creation in the mid-and late Yuan dynasty,two styles pursuit has dominant in nature： the first was elegant and standarization,and the second was strange of insurance.However,the two seemingly different styles pursuit had a common psychological motivation—creation of a private state of mind,and showed the same aesthetic taste — ＂Yi＂ Fun.The so-called private mentality,mainly displayed in two： first,the narrow content and less concerned about society and life;second is the narrow realm,reflected by a lack of intensity and lack of appeal.Creation of such a private mentality formation was closely connected ewith the specific cultural background in the mid-and late Yuan dynasty.