郭沫若历史剧创作的"人学”意识

２０世纪中国文学最根本的变化，便是人的观念的不断发展。郭沫若的历史剧，以其独特的视角和形式，丰富了百年中国的人的文学。“五四”时期，他高扬个人主义的旗帜，追求人的自由和自尊，这是与外来文化的刺激分不开的。抗战时期其人学意识则分化为两股潮流，即人性人道意识和民族意识。共和国成立后，郭沫若历史剧创作的人学意识退化，其主要原因是作家主体意识的否定。

The Consciousness of Humanity in Guo Moruo's Historical Play Creation

In 20th century, the continual development of humanity ideas is the basic change of Chinese literature. From its distinctive visual angle and form, Guo Moruo's historical play enriches Chinese human literature for a century. During May 4th Movement, he had an individualism stand and pursued human liberty and self-respect. It can't be Separated from the stimulus of foreign culture. In period of the Anti - japanese was, his consciousness of humanity was divided into two groups: one was the consciousness of human nature, the other was the consciousness of nation. After the foundation of the people's Republic of China, the consciousness of humanity in Guo Moruo's historical play creation has degenerated. The writer's subject conciousness is negated.