| 洪升历史剧爱情观的进步性及男权色彩 |
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| 引用本文： | 刘丽文. 洪升历史剧爱情观的进步性及男权色彩[J]. 中华女子学院学报, 2007, 19(5): 51-54 |
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| 作者姓名： | 刘丽文 |
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| 作者单位： | 中国传媒大学,文学院,北京,100024 |
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| 摘 要： | 洪升的《长生殿》歌颂了李杨最终脱却帝妃桂冠的至真爱情，《四婵娟》则强调合理的婚姻应是才貌相当、以知音式的互爱为基础，这说明作者的婚恋观念已具有了一定的现代性爱色彩和平等意识。但《回文锦》肯定纳妾、抨击妇“妒”。综合三部剧作以及作者自身的婚姻生活说明，洪升前两剧所设计的“新型”夫妻关系，归根结蒂是从男性希望提高自身爱情质量角度提出的要求，带有相当浓厚的男权自私色彩。
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| 关 键 词： | 洪升 爱情观 平等 男权 |
| 文章编号： | 1007-3698(2007)05-0051-04 |
| 修稿时间： | 2007-02-01 |
On the Progressive Vision of Love and Male Chauvinism in Hong Sheng''''s Historical Plays |
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| LIU Liwen. On the Progressive Vision of Love and Male Chauvinism in Hong Sheng''''s Historical Plays[J]. Journal of China Women's College(Social Sciences Edition), 2007, 19(5): 51-54 |
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| Authors: | LIU Liwen |
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| Affiliation: | LILT Liwen (Literature College, Communication University of China, Beijing 100024, China) |
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| Abstract: | This paper analyses different visions of love in Hong Sheng's historical plays.In Chang Sheng Dian,Hong Sheng paid a tribute to Li and Yang's true love;in Si Chan Juan,he emphasized the basis of marriage to be equal in talent and appearance,and mutual understanding and love;in Hui Wen Jin,he held a positive attitude towards concubinage but deprecated the jealousy of the wives.It is concluded that the marriage relationship in Hong Sheng's mind was just designed to improve men's love with strong color of male chauvinism. |
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| Keywords: | Hong Sheng vision of love equality male chauvinism |
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