| 由《瓶花谱·品瓶》管窥明代清雅复古美学旨趣 |
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| 引用本文： | 张文浩,;沈文凡.由《瓶花谱·品瓶》管窥明代清雅复古美学旨趣[J].扬州大学学报(人文社会科学版),2014(5):53-60. |
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| 作者姓名： | 张文浩 ;沈文凡 |
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| 作者单位： | [1]长春师范大学文学院,吉林长春130032; [2]吉林大学文学院,吉林长春130012 |
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| 基金项目： | 吉林省社会科学基金项目研究成果（2013B203）; 中国博士后科学基金资助项目（2014M551167） |
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| 摘 要： | 张谦德《瓶花谱》体系规整,超越此前著家随兴记录体而有意建构了自己的审美理念,从品瓶、品花、折枝、插贮、滋养、事宜、花忌、护瓶等方面系统述呈其花艺思想和生活观念,成为明代花艺理论经典作品。其中《品瓶》一节提出＂贵磁铜,贱金银,尚清雅＂的复古旨趣,在美学理念、艺术构思、心理机制、材料准备、创作过程等方面的因袭传递与突围新变,响应明代中晚期之转俗成雅的美学风向;着重从铜器和瓷瓶的选择来表达一种清供文化的清雅意蕴,又将复古理念与休闲美学结合起来,在实践层面探索了艺术与生活如何谐美、生活之理性与感性如何兼营等问题。
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| 关 键 词： | 《瓶花谱》 艺术美学 清雅复古 清供文化 |
Aesthetic Taste of Ming Dynasty Reflected in Vase and Flower |
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| Institution: | ZHANG Wenhao, SHEN Wenfan (1. School of Humanity, Changchun Normal University, Changchun 130032, Jilin, China; 2. School of Humanity, Jilin University, Changchun 130012, Jilin, China) |
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| Abstract: | The Vase and Flower by Zhang Qiande systematically records the aesthetic notions of the author, including 8 sections respectively illustrating the notions about the vases, flowers and so on. This book surpasses its preceding ones and makes itself a classical theoretical one in the Ming Dynas- ty. The section on the vases proposes a retro taste of valuing bronze and devaluing gold and silver, echoing the aesthetic tendency of shifting from vullzaritv to eleeance in the mid and late Ming Dynasty. |
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| Keywords: | Vase and Flower aesthetic simplicity and retro taste art of article-setting |
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