试论“电脑音乐”的专业化与非专业化问题

“电脑音乐”(Computermusic)———这个极富时代感的新词汇 ,它对从事电脑工作的人和搞音乐专业的人都是一个全新的概念。电脑在以惊人的速度发展 ,音乐也在不断地向高科技靠近 ,“电脑音乐”使得创作者和演奏者可以有机地结合在一起 ,而它无论在严肃音乐领域 ,还是在通俗音乐领域 ,都显示出其日形重要的地位。在”电脑音乐”与常规乐器和人声全然不同的种种所形成的新的“音响环境”(Sonicenvironment)中 ,使得作曲家们在创作实践中不断取得新成果 ,并且对今天如此繁荣的音乐文化市场产生着重大的影响力 ,丰富着人们的音乐文化生活。随着电子计算机性能的飞速发展 ,以及使用者的普及 ,利用电子计算机进行音乐创造活动的前景必将越来越广阔。因此 ,越来越多的“电脑人”和“音乐人”都不约而同地关心起同一个话题 :何时我也能用电脑来“玩”或“搞”音乐 !这也就是本文所要论述的主题。

On the Specialization and non-specialization of Computer Music

The term, Computer Music, is new to both computer and music people. The achievements in computer help the development of music. Computer music makes it possible to combine the composer and the player. Is a result, it is getting important in classical music and pop music. In the sonic environment of computer music, conventional musical instruments and human sound, the composer is able to improve their composition and enrich people's life. With the development and popularization of computers, computer music has a bright future. Therefore, more and more computer people and music people are concerned about whether they can produce music pieces with computers. This thesis is going to focus on the same topic.