论新世纪小说改编电影结局的叙事策略

新世纪以来，小说改编电影多数对原著结局采用了“道德化”“冷漠化”改写策略，道德化，通过增加“核心冲突消解”情节和“揭秘”情节，落脚于家国情怀，以对传统道德观念的复归为当下社会日渐疏离的人际关系和信仰危机提供一种“想象性的解决”；冷漠化，将原著的“定性”结尾复杂化，深入底层生活逻辑，暴露黑暗世相直面危机，又不断绝“善”的可能，以引发观者自我拷问和对人性的审视。“民族品格”是二者共同的指向，是中国电影在跨文化传播中的身份标识，是建构“中国梦”的重要符码。

The Narrative Tactics of the Films Ending Adaptation in the 21th Century Novels

Since the 21th Century, novel-adapted-films often use two n arrative tactics for the ending, i.e., moralization and indifference. Moralization means that by adding the plot of “core conflict resolution” and the plot of “revealing secrets”, it fall on national feelings, to provide an “imaginative solution” to social alienation of interpersonal relationship and belief crisis by the return of traditional moral concepts. Indifference means to make the “qualitative” end of original work more complicated and to go deep into the bottom life logic, exposing dark world and facing crisis. But it doesn ’t cut off the possibility of “Good” so as to trigger watchers’ self-inquiry and the scrutiny to human nature. “National Character” is the common direction of both, the identity of Chinese films in the Trans-cultural diffusion, and an important symbol to construct the “Chinese dream”