| 论玛格丽特·爱特伍《羚羊与秧鸡》的末世地景想象 |
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| 引用本文： | 张雅兰. 论玛格丽特·爱特伍《羚羊与秧鸡》的末世地景想象[J]. 江苏大学学报(社会科学版), 2011, 13(6): 25-31 |
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| 作者姓名： | 张雅兰 |
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| 作者单位： | 台湾华梵大学外文系,台湾台北 |
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| 摘 要： | 玛格丽特·爱特伍的小说《羚羊与秧鸡》所创造的末世地景表达了作者对理性科学推至极致的批判态度。从印度裔文化人类学家阿帕度拉对于全球化背景下的景观说出发,作品中存在着三处地景的象征意义及流动的概念：灾难前充满强烈排外感的基因工程控管的世界,以顶尖的雷吉文·埃森思园区的权力景观为代表;相对于园区的戒备森严、严密监控,＂杂市＂,一个科技文明的实验处,剩余残渣倾倒处,病毒、罪恶滋生的温床所在,正是绝望景观的写照;灾难后全数灭绝、废墟般一片荒芜的荒原地景,透过先进的基因工程打造出来的科技乌托邦面貌,是否真是人类永无止境追求的日常生活景观。
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| 关 键 词： | 《羚羊与秧鸡》 基因工程灾难 科技景观 金融景观 绝望景观 |
On Apocalyptic Landscapes in Margaret Atwood's Oryx and Crake |
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| Chang Yalan. On Apocalyptic Landscapes in Margaret Atwood's Oryx and Crake[J]. Journal Of Jiangsu University(Social Science Edition), 2011, 13(6): 25-31 |
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| Authors: | Chang Yalan |
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| Affiliation: | Chang Yalan (Foreign Languages and Literature Department,Huafan University,Taipei,Taiwan) |
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| Abstract: | The(post-) apocalyptic landscapes Margaret Atwood depicts in her Oryx and Crake reveal her criticism on extreme scientism.In terms of the Indian American anthropologist Arjun Appadurai's landscapes, there exist three landscapes of symbolic meaning and flowing conception in the novel:the highly exclusive bioengineered world,represented by RejoovenEsence compound where power,financial group interest,fictional locality are interwoven together;the pleeblands,unlike the well-protected and well-monitored compound... |
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| Keywords: | Oryx and Crake bioengineered catastrophe technoscape financescapes landscape of despair |
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