| 中国古代审美和谐观耦合结构论 |
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| 引用本文： | 王祖龙. 中国古代审美和谐观耦合结构论[J]. 长江大学学报(社会科学版), 2002, 0(3) |
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| 作者姓名： | 王祖龙 |
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| 作者单位： | 荆州师范学院艺术学院 湖北荆州434020 |
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| 摘 要： | 中国古代审美和谐观是一个范围周延、层次完整的关系结构体系 ,其内在结构是表层的“心理之和”和里层的“人人之和” ,外在形态是优美和壮美 ,其中 ,表层的“心理之和”主要表现为儒家的“情”与“理”统一和道家的“心”与“物”统一两种不同取向 ;里层的“人人之和”是经由心理之和达到的间接的社会目的 ,即普遍的人与社会、人与自然的和谐统一 ,也主要表现为儒家的“人和”与道家的“天和”两种不同取向。儒道两家学说互斥互补 ,对立统一 ,二元耦合 ,形成古代和谐观相互耦合的系统机制
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| 关 键 词： | 和谐 儒家 道家 耦合结构 |
On the Coupling Structure of Ancient China's Aesthetic Harmony Conception |
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| Wang Zulong. On the Coupling Structure of Ancient China's Aesthetic Harmony Conception[J]. Journal of Yangtze University(Social Sciences), 2002, 0(3) |
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| Authors: | Wang Zulong |
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| Abstract: | Ancient China's aesthetic harmony conception is a relational and structural system of scope and hierarchies.Its inner structure contains the external "sum of mentality" and internal "sum of humans",and its outer form is manifested in elegance and magnificence.The external"sum of mentality"mainly refers to the unity of the Confucian"kindness"and "reason"and to the combination of the Taoist "mind" and "object";and the internal "sum of humans" is the indirect social goal arrived at by "sum of mentality",which shows the Confucian "human harmony" and Taoist "natural harmony".The theories of Confucianism and Taoism repel,contradict and couple with each other,thus forming the systematic mechanism of ancient China's aesthetic harmony conception. |
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| Keywords: | harmony Confucianism Taoism coupling structure |
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