| 论中国古代文艺美学的民族传统 |
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| 引用本文： | 张少康.论中国古代文艺美学的民族传统[J].深圳大学学报(人文社会科学版),2007,24(1):112-120. |
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| 作者姓名： | 张少康 |
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| 作者单位： | 北京大学中文系,北京,100871 |
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| 摘 要： | 中国古代文艺美学具有非常显著的民族传统,它们主要表现为:文艺和实用、功利的结合和发愤着书的精神;“无声之乐”的创作理想和审美境界;“形神兼备”的形象塑造原则;“无法之法”的艺术表现方法;“味外之味”的艺术鉴赏的标准。
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| 关 键 词： | 发愤著书 无声之乐 形神兼备 无法之法 味外之味 |
| 文章编号： | 1000-260X(2007)01-0112-09 |
| 修稿时间： | 2006年10月27 |
On the National Tradition of the Ancient Chinese Aesthetics of Literary Criticism |
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| ZHANG Shao-kang.On the National Tradition of the Ancient Chinese Aesthetics of Literary Criticism[J].Journal of Shenzhen University(Humanities & Social Sciences),2007,24(1):112-120. |
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| Authors: | ZHANG Shao-kang |
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| Abstract: | The ancient Chinese aesthetics of literary criticism boasts a very striking national tradition,which is represented by the combination of literature and art with practicability and utility,the spirit of being assiduous in book writing,the ideal of creating "voiceless music" and its aesthetic acme of perfection,the principle of image shaping featured with "both the form and spirit being displayed",the methods of artistic expression relishing of "method-free methods" and the standards of artistic appreciation blessed with a "lingering flavor". |
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| Keywords: | being assiduous in book writing voiceless music both the form and spirit being displayed method-free method lingering flavor |
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