| 诗兴活动与中国传统审美心理 |
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| 引用本文： | 袁济喜.诗兴活动与中国传统审美心理[J].江苏大学学报(社会科学版),2004,6(3):1-6. |
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| 作者姓名： | 袁济喜 |
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| 作者单位： | 中国人民大学,人文学院,北京,100872 |
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| 摘 要： | "兴"是中国古典诗学的一个重要范畴。"兴"从创作对象的角度来说,倡导缘物而感;从作者主观方面来说,提倡寓情写意;从主客观合一的作品层面来说,倡举意在言外、回味无穷的审美境界。通过对"兴"的考察与分析,可以从中看到中国传统的心物关系与灵感理论的基本特点。不仅诗兴活动是中华民族对待心物的审美态度在诗学精神中的升华,而且中国诗学精神本身也正是通过"兴"这一重要范畴显示出来。
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| 关 键 词： | 诗兴活动 缘物而感 寓情写意 意在言外 心物关系 灵感理论 |
| 文章编号： | 1671-6604(2004)03-0001-06 |
| 修稿时间： | 2004年2月10日 |
Stimulation and Traditional Chinese Aesthetic Mentality |
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| Abstract: | Xing", or Stimulation, is an important concept in traditional Chinese poetics. In light of targeted object, it insists on emotions based on objects; in light of poet, it upholds meanings embodied in emotions; in light of creation that is both subjective and objective, it advocates the aesthetic conception of meanings through suggestion and implication. Through the study and analysis of "Xing", we can find the basic features of the traditional Chinese soul-matter relationship and theory of inspiration. Not only is "Xing" the crystallization of traditional Chinese aesthetic attitude with respect to the relationship between soul and matter in poetic spirit, but Chinese poetic spirit itself is brought out by this important concept "Xing". |
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| Keywords: | stimulation emotions based on objects meanings embodied in emotions implied meaning relationship between soul and matter theory of inspiration |
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