| 电影、战争、革命、知识分子四重奏——大后方电影发生论 |
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| 引用本文： | 安燕.电影、战争、革命、知识分子四重奏——大后方电影发生论[J].贵州民族学院学报,2006,3(1):95-99. |
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| 作者姓名： | 安燕 |
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| 作者单位： | 贵州民族学院文学与传播学院 贵州贵阳550025 |
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| 摘 要： | 在抗日战争时期大后方电影强大的时代性、政治性、宣教性的表象之下,蕴涵了异常复杂、深刻、多元的情感和文化价值。本文旨在通过对抗战时代电影、战争、革命、知识分子多重关系的探讨,揭示大后方电影发生的深刻成因,并加以合理的解说。
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| 关 键 词： | 大后方电影 战争 革命 知识分子 |
| 文章编号： | 1003-6644(2006)01-0095-05 |
| 修稿时间： | 2005年12月13 |
How Did the Films in the Main Rear Area Come into Being |
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| An Yan.How Did the Films in the Main Rear Area Come into Being[J].Journal of Guizhou University for Nationalities,2006,3(1):95-99. |
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| Authors: | An Yan |
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| Abstract: | During the Anti-Japan War, under the facial presentation that the films in rear area were with great characters of time, politics, propaganda and educating, the presentation itself contained deep and multiple value of emotion and culture. By the discussion on the multi-relationships between films, war, revolutionary and the intelligences, this article reveals how the films in rear area came into being and, gives a rational explanation to it. |
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| Keywords: | the films in rear area war revolutionary intelligence |
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