| 创作方法:审美中介和美学设计原则--对创作方法的重新界定 |
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| 引用本文： | 张冠华.创作方法:审美中介和美学设计原则--对创作方法的重新界定[J].郑州大学学报(哲学社会科学版),2003,36(1):117-120. |
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| 作者姓名： | 张冠华 |
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| 作者单位： | 郑州大学,文化与传播学院,河南,郑州,450052 |
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| 摘 要： | 可以肯定 ,在创作过程中存在着“创作方法”现象 ,它是由审美意象转化为审美形象的具有统领地位的中介因素 ,具体体现为美学设计原则、创作范式。过去 ,对它的界说不具有美学意义 ,现在 ,需要对它重新进行界定和解释
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| 关 键 词： | 创作方法 审美中介 美学设计原则 创作范式 |
| 文章编号： | 1001-8204(2003)01-0117-04 |
| 修稿时间： | 2002年9月10日 |
A New Definition of the Mode of Writing |
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| ZHANG Guan,hua.A New Definition of the Mode of Writing[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2003,36(1):117-120. |
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| Authors: | ZHANG Guan hua |
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| Abstract: | The mode of writing was defined by the Russian scholar Timofeev as a principle to which the writers have to adhere when they select and synthesize facts from life. In the last 50 years, Chinese scholars have simply modeled themselves after him, and their definitions are no more than duplicates of that of Timofeev. The present writer, after a careful study of the problem, has arrived at a new definition of the mode of writing: an aesthetic medium and a principle of aesthetic designs. |
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| Keywords: | mode of writing aesthetic medium principle of aesthetic designs pattern of writing |
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