| 对中国传统器乐多声现象若干问题的思考 |
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| 引用本文： | 周振亚.对中国传统器乐多声现象若干问题的思考[J].江苏教育学院学报,2006,22(3):108-109. |
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| 作者姓名： | 周振亚 |
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| 作者单位： | 江苏教育学院音乐系 江苏南京210013 |
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| 摘 要： | 为揭示中国传统器乐中许多个性化的多声现象,本文对中国传统器乐的界定,对多声音乐的理解,以及中国多声器乐的起源问题进行了较为详细的阐述。
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| 关 键 词： | 传统器乐 界定 多声概念 起源 |
On the Notion of Multi-phonation in Traditional Instrumental Music |
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| ZHOU Zhen-ya.On the Notion of Multi-phonation in Traditional Instrumental Music[J].Journal of Jiangsu Institute of Education(Social Science),2006,22(3):108-109. |
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| Authors: | ZHOU Zhen-ya |
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| Abstract: | To reveal the existing phenomenon,many distinctive multi-phonations among Chinese traditional instrumental music,this article delimitates the notion of traditional instrumental music,illustrates what multi-phonation music is and analyzes its sources. |
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| Keywords: | traditional instrumental music delimitation the notion of multi-phonation origin |
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