| 论何其芳《画梦录》中"三峡情结"的创作意义 |
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| 引用本文： | 赵琳,赵井泉.论何其芳《画梦录》中"三峡情结"的创作意义[J].三峡大学学报(人文社会科学版),2006,28(3):9-13. |
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| 作者姓名： | 赵琳 赵井泉 |
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| 作者单位： | 三峡大学,文学院,湖北,宜昌,443002 |
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| 摘 要： | 何其芳是一个具有深厚“三峡情结”的京派散文作家。面对30年代散文日益趋向“叙事化”和“说理化”,离新文学初期倡导的美文距离越来越远的现实,他试图以自己独特的创作改变这种状况,并对京派文艺理论形成一种契合。
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| 关 键 词： | 何其芳 《画梦录》 三峡文化 |
| 文章编号： | 1672-6219(2006)03-0009-05 |
| 修稿时间： | 2006年2月21日 |
On the Artistic Meaning of "Three Gorges Complex" in HE Qi-fang's Huamenglu |
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| ZHAO Lin,ZHAO Jing-quan.On the Artistic Meaning of "Three Gorges Complex" in HE Qi-fang''''s Huamenglu[J].Journal of China Three Gorges University(Humanities & Social Sciences),2006,28(3):9-13. |
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| Authors: | ZHAO Lin ZHAO Jing-quan |
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| Abstract: | HE Qi-fang is an essay writer with deep affection toward the Three Gorges.In 1930s,the narrative and theoretical trend of essay was more and more far away to the graceful essay.He attempted to change this situation with his unique works and to adapt his creation to the literature theory of Beijing school. |
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| Keywords: | HE Qi-fang Huamenglu the culture of Three Gorges |
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