| 后现代语境下的中国情景喜剧——兼论《武林外传》对审美定势的突破和创新 |
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| 引用本文： | 方艺玲.后现代语境下的中国情景喜剧——兼论《武林外传》对审美定势的突破和创新[J].甘肃联合大学学报(社会科学版),2007,23(3):82-84. |
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| 作者姓名： | 方艺玲 |
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| 作者单位： | 福建师范大学,中文系,福建,福州,350007 |
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| 摘 要： | 作为舶来品的情景喜剧在我国已有长足的发展,特别是2005年元月份,情景喜剧《武林外传》在央视八套以令人耳目一新的面貌出现,立即在观众中和社会上引起了强烈的反响.在本文中,笔者将从后现代语境的研究方向入手,阐述该剧表现出来的对于传统审美的突破和创新.
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| 关 键 词： | 后现代 情景喜剧 卡通化 陌生化 重构 |
| 文章编号： | 1672-707X(2007)03-0082-03 |
| 修稿时间： | 2006年12月18 |
Chinese Situation Comedy under Postmodern Background——Concurrently Analysis of the Breakthrough and Innovation to the Traditional Aesthetism of My Own Sword man |
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| FANG Yi-ling.Chinese Situation Comedy under Postmodern Background——Concurrently Analysis of the Breakthrough and Innovation to the Traditional Aesthetism of My Own Sword man[J].Journal of Gansu Lianhe University:Social Sciences,2007,23(3):82-84. |
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| Authors: | FANG Yi-ling |
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| Abstract: | The situation comedy has developed greatly in China since this form was imported from foreign country.In January 2005,a situation comedy named My Own Swordsman was shown on in CCTV8.As soon as the comedy came out,it was strongly welcomed by the audiences in the society.Based on the postmodern context,this paper illustrates the breakthrough and innovation this play brings to the tranditional aesthetism. |
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| Keywords: | postmodern situation comedy(sitcom) cartoonize defamiliarize reconstruction |
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