| 《扬鞭集》：永远清新的野花香 |
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| 引用本文： | 王琪玖. 《扬鞭集》：永远清新的野花香[J]. 唐都学刊, 2007, 23(5): 94-97 |
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| 作者姓名： | 王琪玖 |
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| 作者单位： | 西安市行政学院,校刊编辑室,陕西,西安,710054 |
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| 摘 要： | 刘半农是最早向民族歌谣学习的白话诗人,他对于民歌体新诗歌内容与形式的理论探索及其创造性的实践,对五四以来的白话自由新诗的创作有着开拓性的贡献,对30年代的苏区文艺及40年代延安文艺运动中的新民歌体诗歌的形成,产生过积极的影响。重读刘半农先生的新民歌体诗集《扬鞭集》,解析蕴涵其中的思想艺术特质,对于把握中国白话自由新诗艺术形式的形成脉理,体认刘半农先生的诗学地位,有着极其重要的认知价值。
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| 关 键 词： | 刘半农 民歌 自由新诗 艺术 |
| 文章编号： | 1001-0300(2007)05-0094-04 |
| 修稿时间： | 2007-04-30 |
Yangbianji,A Wild Flower with Permanent Fragrance |
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| WANG Qi-jiu. Yangbianji,A Wild Flower with Permanent Fragrance[J]. Tangdu Journal, 2007, 23(5): 94-97 |
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| Authors: | WANG Qi-jiu |
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| Abstract: | As the first vernacular poet who learns a lot from folk songs,LIU Ban-nong makes pioneering contributions to both theory and practice of the form and content of folk song-style poems,creation of free verses in the vernacular since May 4th Movement,literature and art in Chinese Soviet Area in 1930s and formation of new folk song-style poems in Yan'an Movement of Literature and Art in 1940s.A restudy of Yangbianji,LIU Ban-nong's new folk song-style poetry anthology as well as its ideological and artistic features is of great value to formation and development of Chinese free verses in the vernacular as well as the literary position of LIU Ban-nong in the circle of poets. |
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| Keywords: | Liu Ban-nong folk songs new free verses art |
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