马克思、恩格斯的悲剧观的文化批判精神及其当代意义

马克思、恩格斯的悲剧观所蕴含的文化批判精神指向一切既有的和即将生成的事物,它最主要的批判维度有三:(1)指向尚未生成的可能性的领域;(2)指向现有的造物(包括自然存在物和人的造物)的自在性和异己性;(3)指向主体自身,进行理论和实践的自我批判和自我觉醒。由此马克思、恩格斯的悲剧观从悲剧与政治、经济、历史的多重内在建构关系中阐明悲剧的本质,建构自己的社会批判理论,通过揭示人的存在具有自相矛盾、二律背反的悖论性质,显现社会发展的另一种可能性空间,从外在的价值批判转向历史的自我批判,实现对资本主义社会及其思想文化的批判与超越。

Marx's and Engels' Cultural Critic Spirit of Tragic Concept and Its Contemporary Meaning

The cultural critic spirit that Marx's and Engels' tragic concept contains points to all existed facts and facts to be formed.Its main critical dimensions irclade three aspects:One,pointing to possible spheres having not been formed yet;Two,pointing to inner and alien element of existed things(including natural things and human things);Three,pointing to subject itself and making self-critiquing and self-awakening of theory and practice.Therefore Marx's and Engels' tragic concept clarifies tragic essence fro...