| 《淮南子》二论 |
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| 引用本文： | 马汉钦. 《淮南子》二论[J]. 延边大学东疆学刊, 2007, 24(2): 75-78 |
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| 作者姓名： | 马汉钦 |
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| 作者单位： | 南华大学文法学院 湖南衡阳421001 |
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| 摘 要： | 秉承于先秦道家的《淮南子》,无论在哲学思想上,还是在音乐理论上,均是对道家思想的继承,并有进一步的发展,主要体现在"神主形从"说及其对音乐形神的论述中.
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| 关 键 词： | 《淮南子》 " 神主形从" 说 音乐形神观 |
| 文章编号： | 1002-2007(2007)02-0075-04 |
| 修稿时间： | 2007-03-06 |
Two Concepts in Huainanzi |
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| Ma Hanqin. Two Concepts in Huainanzi[J]. Dongjiang Journal, 2007, 24(2): 75-78 |
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| Authors: | Ma Hanqin |
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| Abstract: | Since Huainanzi has inherited and developed Taoism in the pre-Qin period in terms of philosophical thinking and music theory,the article expounds on two concepts in the masterpiece,that is,the "concept of principal spirit and subordinate form" and the "concept of music form and spirit". |
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| Keywords: | Huainanzi," concept of principal spirit and subordinate form" ," concept of music form and spirit" |
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