| 王夫之诗乐关系论探讨 |
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| 引用本文： | 涂波.王夫之诗乐关系论探讨[J].中南民族大学学报(人文社会科学版),2005,25(5):143-146. |
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| 作者姓名： | 涂波 |
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| 作者单位： | 中南民族大学,文学院,湖北,武汉,430074 |
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| 摘 要： | 本文主要讨论船山诗论与乐论的关联.船山诗学理论注重音乐性的重要原因,是以为"音"比"言"具有更高的表现能力和表现范围.王夫之认为,乐教的功能须由诗来担当,故诗就只以"言"为载体,而以"永"、"声"、"律"为审美追求.其诗论中"简"、"敛纵"、"柔缓"的追求,与其乐论有明显的共通性.
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| 关 键 词： | 王夫之 乐论 诗论 关系 |
| 文章编号： | 1672-433X(2005)05-0143-04 |
| 修稿时间： | 2005年1月28日 |
Relationship between Wang Fuzhi's Poetics and His Theories about Music |
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| TU Bo.Relationship between Wang Fuzhi''''s Poetics and His Theories about Music[J].Journal of South-Central University for Nationalities:Humanities and Social Science,2005,25(5):143-146. |
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| Authors: | TU Bo |
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| Abstract: | This paper discusses the relationship between Wang Fuzhi's poetics and his theories about music.According to Wang Fuzhi,sound is more expressive than words.Therefore he attached much importance to music in his poetics.The aesthetics effect of poems is rooted in music,not in language.Simplicity,restrainability and relaxation,the principle of Wang Fu-zhi's poetics,could be interpreted by music theory. |
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| Keywords: | Wang Fu-zhi theory about music poetics |
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