| 时装:波德莱尔审美现代性思想的参照和象征 |
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| 引用本文： | 刘静轩.时装:波德莱尔审美现代性思想的参照和象征[J].河南大学学报(社会科学版),2011(6). |
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| 作者姓名： | 刘静轩 |
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| 作者单位： | 郑州大学美术学院; |
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| 摘 要： | 波德莱尔美学思想的研究者一般都认为,在《现代生活的画家》中,波德莱尔主要是以介绍与自己同时代的法国画家贡斯当丹.居伊为契机,展开自己关于审美现代性的论述的。但是,从服装史的角度看,在《现代生活的画家》中,波德莱尔是以一个艺术评论家、美学理论家最敏锐的视角,主要以服装、尤其以不断变化的服装即时装作为观察和研究对象,论述他的审美现代性思想的,从而开创了美学史上一个划时代的认识上的转变,即从一种由来已久的永恒性美学转变到一种瞬时性与内在性的美学,其核心价值是变化和新奇。时装是波德莱尔论述审美现代性思想的主要参照和象征。
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| 关 键 词： | 波德莱尔 美学思想 审美现代性 时装 参照 象征 |
Fashion,the Symptom and Reference of Baudelaire's Esthetic Modernity |
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| LIU Jing-xuan.Fashion,the Symptom and Reference of Baudelaire's Esthetic Modernity[J].Journal of Henan University(Social Science),2011(6). |
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| Authors: | LIU Jing-xuan |
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| Institution: | LIU Jing-xuan(Fine art school of Zhengzhou University,Zhengzhou 450000,Henan,China) |
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| Abstract: | Former researchers about Baudelaire's idea think that he introduces his esthetic modernity idea through Constantin Guys,a French painter in the book The Painters of Modern Life.However,I think,as a researcher of costumes history,Baudelaire 's idea in the book of The painter of Modern Life explained his esthetic modernity idea with incessant changing fashion from an acute observing angle.Thus his theory outset the newest epoch of understanding changes in aesthetics history,from an already established to a tr... |
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| Keywords: | Baudelaire esthetic idea esthetic modernity fashion reference symptom |
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