| 朝鲜诗学上的"神韵" |
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| 引用本文： | 琴知雅. 朝鲜诗学上的"神韵"[J]. 暨南学报(哲学社会科学版), 2002, 24(1): 75-84 |
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| 作者姓名： | 琴知雅 |
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| 作者单位： | 韩国延世大学 韩国汉城 |
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| 摘 要： | 本文论述了自诗坛先驱的北学派 (后四家 )始到十九世纪前半期 ,王士祯诗学的“神韵”诗在朝鲜和韩国的文论中是如何阐释的。首先探讨了“神韵”用语的渊源 ,以及王士祯神韵学说中“神韵”的基本含意 ;接着论述了王士祯神韵说在朝鲜诗坛的传播、受容与发展过程 ,并对在此过程中所表现出来的朝鲜诗学的“神韵”特征作了分析与梳理
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| 关 键 词： | 诗学 文论 朝鲜诗学 神韵 王士祯 |
| 文章编号： | 1000-5072(2002)01-0075-10 |
| 修稿时间： | 2000-07-16 |
A Study on Shen-yun''''s Transformations during the Yi-Dynasty |
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| KEUM Ji a. A Study on Shen-yun''''s Transformations during the Yi-Dynasty[J]. Journal of Jinan University, 2002, 24(1): 75-84 |
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| Authors: | KEUM Ji a |
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| Abstract: | Shen yun has not merely stayed within the theoretical boundaries suggested by Wang Shi zhen, and the impression of misdistribution in its practice has been taken as a sign of invalidity. Thus, Shen yun has been the object of criticism from the tradition of Shijiao since Wang Shi zhen's death. |
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| Keywords: | Poetics literary theory Korean poetics Shen yun Wang Shi zhen |
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