| 从"物"的形式到"人"的形式——康德形式美论的理论意义 |
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| 引用本文： | 方国武.从"物"的形式到"人"的形式——康德形式美论的理论意义[J].安徽大学学报(哲学社会科学版),2009,33(5). |
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| 作者姓名： | 方国武 |
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| 作者单位： | 安徽农业大学,人文社会科学学院,安徽,合肥,230036 |
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| 摘 要： | 西方美学史上,形式主义美学一味强调美与"物"之间的关联,将形式美的根源归结于物的自然属性。康德形式美论将形式之美与人紧密相连,具有区别于传统形式主义美学的"人"的特质,主要表现为形式之美在于人的本质力的创造以及理想美的归属。就审美思维和审美主体的层面而言,康德形式美论对西方美学的发展具有重要的理论意义。
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| 关 键 词： | 康德 形式主义美学 审美判断 |
Significance of Kant's Aesthetics in Relation to Humans Rather Than Objects |
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| FANG Guo-wu.Significance of Kant's Aesthetics in Relation to Humans Rather Than Objects[J].Journal of Anhui University(Philosophy & Social Sciences),2009,33(5). |
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| Authors: | FANG Guo-wu |
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| Institution: | FANG Guo-wu(School of Humanities , Social Science,Anhui Agricultural University,Hefei,Anhui 230036) |
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| Abstract: | Historically speaking,formalism overemphasized beauty in connection with the object and attributed beauty to the natural attributes of objects.Kant links formal beauty closely with humans,different from the human element in traditional aesthetics.According to Kant,formal beauty dwells in human nature and the ownership of ideal beauty.Kant's theory of formal beauty,on the layer of aesthetic thought and aesthetic subject,has significance for Western aesthetics. |
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| Keywords: | Kant formalistic aesthetics aesthetic judgment |
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