| 刍议当代重彩画的气韵和意境 |
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| 引用本文： | 尚莹辉,苏翰宇. 刍议当代重彩画的气韵和意境[J]. 天津大学学报(社会科学版), 2009, 11(4): 375-378 |
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| 作者姓名： | 尚莹辉 苏翰宇 |
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| 作者单位： | 1. 天津大学工笔重彩研究所,天津,300072
2. 江西师范大学美术学院,南昌,330072 |
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| 摘 要： | 近些年，重彩画快速发展，形式风格多样，但大多陷于制作或吸收西画因素过多。作为民族绘画，重彩画应深深积淀于民族土壤之中，传统绘画的精髓——气韵和意境不能丢失。试图从材料制作和色彩方面，探讨当代重彩画的气韵和意境的表现形式。
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| 关 键 词： | 重彩画 气韵 意境 色彩 |
Artistic Spirit and Artistic Mood of Contemporary Chinese Color Painting |
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| SHANG Ying-hui,SU Han-yu. Artistic Spirit and Artistic Mood of Contemporary Chinese Color Painting[J]. Journal of Tianjin University(Social Sciences), 2009, 11(4): 375-378 |
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| Authors: | SHANG Ying-hui SU Han-yu |
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| Affiliation: | 1. School of Architecture, Tianjin University, Tianjin 300072, China; 2. School of Fine Arts, Jiamgxi Normal University, Nanchang 330072, China) |
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| Abstract: | Color painting developed rapidly with variety of styles in recent years, but works excessively emphasized the material or assimilated too many elements of western painting. Color painting, as a national form of fine art, should be deeply rooted in the national spirit, maintaining its character and artistic mood. This article attempts to reveal the technique used by color painting to express its charm and beauty. |
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| Keywords: | color painting artistic spirit artistic mood color |
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