| 《三国演义》接受的文化阐释 |
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| 引用本文： | 张红波. 《三国演义》接受的文化阐释[J]. 成都大学学报(社会科学), 2009, 0(1) |
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| 作者姓名： | 张红波 |
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| 作者单位： | 北京大学中文系 |
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| 摘 要： | 《三国演义》[1]的创作是作者个人心理与民族文化心理的一种集大成,而本书的接受过程也是在文化语境中产生的,在接受过程中,虽然表现出来的形式多种多样,但在这纷繁复杂的表象之外,其实还是有些文化含义贯穿始终,本文择其要者加以论述,分别是强烈的政治教化功能,积极进取的入世精神,深重的忧患意识。
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| 关 键 词： | 《三国演义》 接受过程 文化阐释 |
The Cultural Interpretation of the Popularity of "Romance of the Three Kingdoms" |
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| Zang Hongbo. The Cultural Interpretation of the Popularity of "Romance of the Three Kingdoms"[J]. Journal of Chengdu University (Social Science), 2009, 0(1) |
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| Authors: | Zang Hongbo |
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| Affiliation: | Zang Hongbo; |
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| Abstract: | "Romance of the Three Kingdoms" is the combination of the author s individual psychology and the national culture psychology.Its process of being popular went with its cultural context,in which,although there were various forms of presentation,there were some cultural implications beyond its numerous and complicated appearances.And what this paper is going to discuss includes three aspects: its strong function of political education,its positive spirit of actual life,and the great sense of anxiety. |
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