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母女关系视角下的玛莎·诺曼作品研究
引用本文:贺安芳. 母女关系视角下的玛莎·诺曼作品研究[J]. 宁波大学学报(人文科学版), 2013, 0(3): 32-36
作者姓名:贺安芳
作者单位:(宁波大学 科技学院,浙江 宁波 315211)
摘    要:母女关系是当代美国女剧作家玛莎·诺曼关注的重要命题。剧作家以隔阂、冲突为点,渴望、认同为线,在作品《出狱》《洗衣店》和《晚安,母亲》中刻画了母女关系从他者之间到主体间性的发展衍进,揭示了母亲主体性、母女对话于形成母女真爱的重要性。剧作家对母女关系动态、多维的呈现丰富了母女关系图景,续写了母女关系谱系,为女性构建主体自我提供了重要的文化途径,是对母女关系社会伦理建构的有益探索。

关 键 词:玛莎·诺曼  母女关系  母亲主体性  主体自我

Martha Normans Plays from the Perspective of Mother-Daughter Relationship
HE An-fang. Martha Normans Plays from the Perspective of Mother-Daughter Relationship[J]. Journal of Ningbo University(Liberal Arts Edition), 2013, 0(3): 32-36
Authors:HE An-fang
Affiliation:(College of Science and Technology, Ningbo University, Ningbo 315211, China)
Abstract:Mother-daughter relationship is a basic thematic concern throughout Martha Norman’s plays of Getting Out, The Laundromat and ’night Mother, in which mother-daughter relationship progresses from an alienated one to the one emphasizing intersubjectivity. The dynamic and multi-dimensional presentation of mother-daughter relationship has enriched mother- daughter narrative, provided an important cultural access to women’s self as subject and contributed to the exploration of mother-daughter ethics.
Keywords:Martha Norman  mother-daughter relationship  maternal subjectivity  self as subject
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