当女作家书写女革命者——张爱玲《色·戒》与多丽丝·莱辛《好人恐怖分子》比较研究

张爱玲的《色·戒》与多丽丝·莱辛的《好人恐怖分子》的主题都涉及女性视角下的政治和个人之间错综复杂的关系，作品所塑造的女性革命者形象都难以被主流文学界定和分类，被认为是怪胎。实际上两位作者都是以政治为背景，着重刻画女性形象和女性的内心世界, 通过突出女性的弱点和复杂性，试图解构传统文学中女革命者的形象，还原女革命者的真实面貌，这两位女性作家用各自独特的方式在尽力地与父权文学做抗争，为女性文学谋求一席之地。

On Female Revolutionaries Created by Woman WritersA Comparative Study of Two Works by Eillen Chang and Doris Lessing

Both Eileen Chang’s Lust, Caution and Doris Lessing’s Good Terrorists have as their subject the complex relations between political action and personal relationships within a feminist paradigm. The heroines are indefinable and unacceptable by the predominant male literature, for they seem “odd” by the standards of patriarchal poetics. In fact both writers focus on portraying authentic female images and their inner world with politics as the background. They successfully deconstruct the traditional image of female revolutionaries by representing the weakness and complexity of women nature. They resist the patriarchal literary standards and fight for true female literary authority by telling their own stories